Globe & Mail Nods to The Tunnel
From Michael LaPointe’s review of HHhH:
It has become somewhat of a trope in contemporary fiction to have as a narrator a historian or researcher, whose obsession with Nazism consumes, overwhelms and transforms her or him irrevocably. These narrators typically suffer breakdowns, buckling under the weight of evil. William H. Gass’s The Tunnel took this subgenre to its hideous extreme, and in David Albahari’s Götz and Meyer, a researcher’s breakdown concludes with the image of him “lurch[ing], full force, into the wall.”
Stumbled across this video searching for something else: “Yaddo - Making American Culture (by NewYorkPublicLibrary).” Gass comes in at about 1:10.
Source: youtube.com
A few tweets about Abstractions Arrive.
"Life Sentences" Review: JH Weekly
A not entirely positive piece in Jackson Hole’s free indie weekly.
The Millions on "Abstractions Arrives"
Love The Millions, so I’m especially grateful for their brief post about the project. (Also love this tweet of theirs.)
"Romancing the Mind" in Conjunctions:59
The Fall 2012 issue of the Conjunctions will include William H. Gass’ “Romancing the Mind.” It’s part of a special symposium of fiction and essays edited by Robert Coover.
New iPad E-Book Featuring Gass & Michael Eastman
I am happy to announce that a personal project I’ve been working on for a few months is ready to meet the public: Abstractions Arrive: Having Been There All the Time (iTunes link), an iPad-only book pairing a previously unpublished 15,000-word essay by William H. Gass with a series of abstract photographs by Michael Eastman. I am the book’s editor and publisher, and I’m honored to have had the enthusiastic participation of both Gass and Eastman. The price we are charging for this interactive book: $6.99.
Bill and Michael have long hatched creative plans together, and back in 2009, one of them was this book. But in print form. I helped edit a version that was made privately, for a small group of people. Earlier this year, I proposed to both of them that we make an e-book version for the larger reading public (especially this site’s readers), using Apple’s new iBooks Author software. They were game. (Yes, Gass authored the famous “In Defense of the Book” essay in Harper’s, but, well, he was still game.)
I realize I’m limiting the audience for this project by using iBooks Author, making a book that’s readable only by owners of the iPad 2 or later. But it’s the route I wanted to go in this publishing experiment, particularly since it afforded full-screen images and multi-photo galleries.
I’ll be posting next month a bit about my experience using iBooks Author Itself — there were both ups and downs. For now, though, here’s the book’s official description, as well as some screenshots taken on my own iPad:
This iPad-only volume pairs a penetrating 15,000-word essay on modern art and photography by William H. Gass — a writer Bookworm’s Michael Silverblatt has called “our greatest living writer of prose in America” — with the “Abstractions” series of photographs by internationally collected photographer Michael Eastman. Gass and Eastman are friends, neighbors, and collaborators, having partnered on, among other projects, Auguste Rodin (Archipelago Books, 2004). The writing in Abstractions Arrive is quintessential Gass — erudite, playful, probing, fun. Eastman’s images, which iPad users can tap to isolate and make larger, are some of the most striking in his decades-long oeuvre.

The book, as it appears in the Apple Store
A table of contents-like view for Chapter 3
A representative spread
The Notes page
Portrait mode
Made it all the way here? Yes, I will happily provide you with the link to buy, preview, or download a sample of the book. Questions? Comments? Write me at stephen @ stephen schenkenberg dot com. Thanks for your interest!
"On Influence: Starting and Stopping Cracks"
A very nice piece by Greg Gerke, published at The Kenyon Review Online. From the essay:
At the heart of recent concerns about my art (writing) and art in general is the fiction writer and essayist William H. Gass. He may be more completely defined as a philologist and a philosopher of language, one who works poetic designs into his prose no matter the format. Slowly, I have been digesting Gass’s books for close to the last two years, reading twelve of the fourteen. His creations have spelled me as I’ve sought to refine my art through close examinations of the masters. Some months ago, I read his essay on Auguste Rodin in A Temple of Texts, which also served as an introduction to Rilke’s monograph of the Frenchman—a piece as much about Rilke and how he shadowed the grand sculptor, asking him how to live while indeed he did live with him, all the while taking up the elder man’s devotion to art by giving himself to poetry.
New Bookworm Interview
Great news: There’s a new WG interview on the fantastic Bookworm program, hosted by major Gass admirer Michael Silverblatt. Will be listening this morning en route to work…
"Life Sentences" Review: The Millions
Greg Gerke, who has written frequently about William Gass, assess Life Sentences and Alexander Theroux’s Estonia in this single piece.
HTMLGiant on the Pulitzer Prize
With the Pulitzer’s announced (and no fiction prize given), there are a handful of new nods to WG’s old essay on the subject (“The People’s Prize”), including the above link and this one from Salon.
"Life Sentences" Review: Publishers Weekly
Reviewed in late March, no byline.
Gass Quote on Reddit
“A nice quote on reading ‘difficult’ books,” posted to the incredibly popular site Reddit, gains 23 comments (including “Hey! He was my Intro to Philosophy professor.”) and several resulting tweets.
Odd Nod in Satiric HTMLGIANT Piece
If I have this right, a writer named Jimmy Chen has penned a satiric piece for HTMLGIANT, posing as House of Leaves author Mark Z. Danielewski replying to a potential match on OKCupid.
